Pendulums

Pendulums

One of the most common forms of divination, pendulums are used to tell the sex of unborn children, detect pregnancy, tell the future, answer life’s questions, prophecy, divining, and a common place magic trick. No one really fully understands the process of how the pendulum works. Pendulums are easy to make as it simply involves attaching a small weight to a length of chain, thread, or cord. The process of using it is even easier, as all one has to do is place their elbow on a table, face the pendulum which is looped over the index finger, and asked questions – to which the weight will move and provide answers. People often ask the pendulum if they should take trips, make life choices, if someone likes/loves them, relationship issues, if they should make purchases, if they are sick, allergic, and/or pregnant. Some use the pendulum to determine allergies. Others use pendulums to locate lost items, find places on a map, hidden treasure, water, caves, graves, or secrets of the unknown. Albeit easy to use, the pendulum does take a bit of rhythmn, practice, and tuning for precision results. Pendulums can be constructed of simply a lead fishing weight, a coin (such as a Norwegian kronos), a ring, a crystal, stone, or needle attached to a length of string or chain. Some choose to purchase simple to elaborate ones from Metaphysical, Pagan, New Age, Witch, or Occult shops. Some “experts” claim a true pendulum needs to be made using certain guidelines, including requirements of something that weighs at least three ounces and attached to 4-6 inches of cord. In my experience, the cord should be roughly the length of your hand from your wrist to the tip of your middle finger. As far as weight, that varies, as I’ve had much success if a pin definitely weighing under 3 ounces.

The best success with pendulums use I’ve found is to hold the cord between the thumb and first finger of your right or left hand (depending on what handedness you are – though some claim it must be the right hand. I am however left-handed and find it works perfectly with my usual orientation) or drooped over your index finger pinned by your thumb. Then resting your elbow on a table allow the pendulum to swing freely an inch or so above the surface of a table. You can also purchase a pendulum board for clearer and a more “fancy” presentation. Stop the movement of the weight with your free hand and then ask the pendulum your question. Ask it to answer “yes” and make note of the movement of the swing. Ask it to answer “no” and make note of the movement of the swing. Generally though, if it swings the direction of your head when nodding “yes” (to and from your face), then that is a “yes”. If it moves side to side, like the movement of the head in western culture for “no” it is a no. There is some dispute that the movements vary based on cultural views of body language for yes/no answers. The pendulum can also move diagonal meaning “maybe”, “don’t want to answer”, “right question”, or “don’t know”. It can also move in circles (clock-wise or counter-clockwise). Once the pendulum indicates an answer, which can be answered with mini swings to full swinging motions your answer should be revealed. There is also some debate that you should be asking Deity, spirits, ancestors, faeries, angels, and/or the undead directly your question while others believe you can just do it directing the question to the pendulum itself. (A debate similar to the usage of a ouija board) Your questions don’t need to be limited, just make sure you really want to know the real answer to your question. It is also very possible to mentally influence and override the movements of a pendulum if you think to hard on a particular response or too personally engaged with the result. In this case, its best to have someone not attached to the matter to do the pendulum reading for you. It is advised not to use the pendulum flippantly nor to let it rule your life. Place intuition, instinct, and common sense into action for your commitment with results from the pendulum. Pendulums are used also for dowsing. The intent behind the dowsing or divination sometimes dictates whether the pendulum is made of crystal, metal, or other materials. Stage magicians have audience members seal items in envelopes and presented to him/her to which a pendulum is used to “dowse” whether the item belongs to a male or a female. They can be held over a pad or cloth with yes/no written on it as well for audience demonstration. In Radiesthesia, pendulums are used for medical diagnosis.

Scientifically we know the pendulum swings by the influence of gravity, making it swing back and forth along a circular arc. The time it takes for a pendulum to oscillate from the peak of the swing on one side to the other and back is called the period of vibration, which depends on the length of the pendulum, the magnitude of gravitational acceleration where the pendulum is located, and the amplitude of the swing. A small amplitude has no effect on the period and the period is given by the equation T=2p l/g where T is the period of vibration, l is the length of the pendulum, and g is the local gravitational acceleration. The Greek letter ∏ (pi) is a constant with an approximate value of 3.1416. Pendulums are used in science for the uniformity of its period especially for keeping time, demonstrating the earth’s rotation, and determining gravitational acceleration at a particular location. The first recorded use of a pendulum, according to Science, was in 1620 when the British scientist Francis Bacon proposed using a pendulum to measure gravity, suggesting taking one up a mountain to see if gravity varies with altitude. According to “science” its use for pseudo-science broke out from the knowledge of the foucault pendulum. In 1851, Jean Bernard Léon Foucault showed that the plane of oscillation of a pendulum, like a gyroscope, tends to stay constant regardless of the motion of the pivot, and that this could be used to demonstrate the rotation of the Earth. He did this by suspending a pendulum free to swing in 2 dimensions from the dome of the Panthéon in Paris. The length of the cord was 67 m and once in motion, the plane of swing was observed to precess or rotate 360° clockwise in about 32 hours thus becoming the first demonstration of the Earth’s rotation that didn’t depend on celestial observations. After this, it was believed that “pendulum mania” broke out and utilized in various sub-cultures, groups, demonstrations, and New age spirituality.

~ By Leaf McGowan


    Bibliography, References, Recommended Reading:
  • About.com: How to use a Pendulum. Website referenced July 2012. http://healing.about.com/cs/tools/ht/How_pendulums.htm
  • Calacademy: The Pendulum. Website referenced July 2012. http://www.calacademy.org/products/pendulum/page1.htm
  • How Stuff Works: Science – The Pendulum. Website referenced July 2012. http://science.howstuffworks.com/pendulum-info.htm
  • Llewellyn Publications: The Pendulum. Website referenced July 2012. http://www.llewellyn.com/journal/article/471.
  • Pendulums.com. Website referenced July 2012. http://www.pendulums.com/

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Lady Befana

The Italian Witch Santa

Lady Befana, the Italian Witch Santa  was a folkloric myth of a old woman who would travel around the countryside delivering gifts to children throughout Italy. It is believed that once long ago a woman named Befana was approached by the Three Wise Men just before the birth of Jesus. They asked her for directions to where he lay as they had seen his star in the sky, but she replied she didn’t know and offered them shelter for then night. Being the village’s best housekeeper and host, she was invited to go with the Three Wise Men to baby Jesus the next day – but she declined as she was too busy with cleaning chores. Just after they left, she had a change of heart and tried to find them unsuccessfully. It is believed that to this day she has been searching for the child and in her travels, leaves all the good kids toys, fruit, or candy and coal, garlic, or onions for the bad kids. It is perceived in Italy very much like most of the world believes in Santa Clause. However while modern Pagans throughout the world incorporate her into visiting their households on the Winter Solstice or Yule, according to Italian folklore – she’d visit the Italian folk around January 5th, during Epiphany Eve. It is theorized that she was named after the Italian “La Festa dell’Epifania” (Epiphany) Feast Day as a manifestation of the divinity. Folklorists suggest that she may be related to the Roman Goddess Strenia, who was often depicted as presiding over the New Year’s eve gifts which were called “Strenae”. Others have suggested her name being a mispronunciation of the Greek word “epifania” or “epiphaneia”, or after Bastrina, gifts associated with the Goddess Strina. Many times her gifts are depicted as being figs, dates, and honey – which were also commonly depicted or associated with Befana. She was depicted often being noisy, riotous, and licentious. She would visit the children and filling their socks hung at the chimneys with care with candy, figs, dates, or honey if the children had been good, or a lump of coal or dark candy if they were bad – just as was similarly depicted with Santa and the filling of his stockings. Sometimes it has been rumored that she’d sweep or housekeep a house before leaving if it was left messy. Instead of a glass a milk like children leave for Santa, they would leave her a glass wine and a plate with a few morsels of food. She is often depicted as a smiling happy soot covered old lady with a black shawl draped over her shoulders and riding a broomstick through the air, sometimes swooping down into the chimneys carrying a hamper filled with gifts and candy. She is supposedly “fairy” cloaked and not to be seen. If children do spy her, they will receive a thump from her broomstick as she doesn’t want to be seen. She is however an Italian national icon. Her figure is associated with the Papal States during Epiphany in the regions of Umbria, Lazio, and Marche with her residing in Urbania. Numerous festivals take place during this time of year celebrating the holiday with Befana images swinging from the main tower of the city center. One such festival, called the Feast of the Befana is held in the Piazza Navona in Rome every year. The National Befana festival is held in Urbania every year between January 2nd and 6th.

Another myth about her origin was that she was an ordinary woman with child whose death maddened her with grief. Once she learned about baby Jesus being born, she set out to see him, delusionally thinking he was her son. As she met him, she showered him with gifts. This pleased Baby Jesus and his gift to her in return was that she would be mother to every child in Italy. A Befana Choir takes place every Winter Solstice at the Kensington Market’s Festival of Lights parade in Toronto, Canada.

As gifts were commonly exchanged in honor of Ianus and Strenia during Roman times to celebrate the beginning of the year. This is a tradition that is believed to have influenced the Befana or Strenae myth. Other Pagan customs surround her legend including the stockings by the chimney, the Yule Tree, New Years traditions, and burning of a old lady character to represent the old year just passed in order to give space for the new one. Many European countries burn a puppet of a old lady at the beginning of the year with Celtic origins. There are also potential origins of her traced to Neolithic beliefs and practices, as well as sharing similarities to Perchta in Pre-Christian Alpine traditions. Some Saturnalia legends claim the Romans would go to the Temple of Juno on Capitoline Hill to have their augers read by Lady Befana, depicted as an old woman reading the augers. During Epiphany, a Pagan festival celebrating the Ancestors was often held and it is also theorized the origin of the Befanotti (representing the ancestors) going from home to home singing the “Pasquella” with the Befana coming down the chimneys took place. She is first found mentioned in classic literature in a poem by Agnolo Firenzuola in 1549.

Bibliography:


  • Abruzzo 2000:
    2011 “Christmas in Abruzzo: The Befana”. Website referenced December 2011. http://www.abruzzo2000.com/abruzzo/traditions/christmas/befana.htm.
  • Bonvincini, Alice

    2011 “The Befana Comes by Night …”; Italian American Digital Project: http://www.i-italy.org/16375/befana-comes-night/.
  • Calandra, John D.
    2009 “The Legend of La Befana”. Italian American Institute. http://qcpages.qc.edu/calandra/community/commbefa.html.
  • Giglio, Michael
    2008 “Taking Flight with Italy’s Holiday Witch”. Speigel Online: www.spiegel.de/international/europe/0,1518,596060,00.html.
  • Illes, Judika
    2009 The Encyclopedia of Spirits: The Ultimate Guide to the Magic of Fairies, Genies, Demons, Ghosts, Gods & Goddesses. ISBN: 9780061350245.
  • Wikipedia: The Free Encyclopedia
    2011 – Website referenced. en.wikipedia.org.

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Ritual Magic – ABC News Australian Broadcasting Corporation

Tasmania’s old houses revealing some bizarre secrets.

Fiona Breen

Source: 7.30 Tasmania | Duration: 7min 36sec

Topics: 19th-century, paganism, historians, tas

via Ritual Magic – ABC News Australian Broadcasting Corporation.

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Burns’ Tam O’Shanter, 1792 (1855 illustrations) « Sexy Witch

Burns’ Tam O’Shanter, 1792 (1855 illustrations) « Sexy Witch.

Burns’ Tam O’Shanter, 1792 (1855 illustrations)

“Tam O’Shanter” is a ghost story written in verse by the great Scottish poet Robert Burns. Burns persuaded his friend Francis Grose to include a drawing of Alloway Kirk, in his Antiquities of Scotland (1791), which Grose promised to do if Burns would supply him with a ghost story to go with it. Burns wrote a brief version of the story in prose before starting his 224 line poem. Both versions have been quoted in the following account (see here for the prose and here for the poem).

The poem concerns a farmer, Tam. After a night of drinking and story-telling, Tam must ride home to Carrick through a heavy storm. As Tam passes Alloway kirk-yard it is “the wizard hour, between night and morning”. He sees a bright light streaming from the ruined church and, on investigating, he is “surprised and entertained, thorough the ribs and arches of an old gothic window … to see a dance of witches merrily footing it round”. As the dance grows “fast and furious” the women cast aside their cloths and dance in their “sark” (undershirt). Alone among the many “wither’d beldams, auld and droll” (withered grandmothers, old and comical) Tam notices a “winsome wench” in a “cutty sark” (short shirt). After some time observing the young witch dancing, Tam unwisely cries out “Weel done, Cutty-sark!”; at which, the music stops, the lights go out and all the witches give chase. Tam makes for the bridge (since a witch can’t cross running water): “the pursuing, vengeful hags were so close at his heels, that one of them actually sprung to seize him: but it was too late; nothing was on her side of the stream but the horse’s tail, which immediately gave way to her infernal grip, as if blasted by a stroke of lightning.”

The poem was immediately, and immensely, popular: it has been illustrated many times. Artists have shown particular relish in depicting Nannie (the young witch) dancing, chasing Tam, and grasping the tail of Tam’s horse, Meg (or Maggie). The three illustrations below are by John Faed (and engraved by Lumb Stocks and James Stephenson for the 1855 edition). These are some of the best and most frequently reprinted or copied illustrations to Burns’ poem. I have accompanied each illustration (or detail) with a passage from the poem.  (Follow link above or below for the author’s article to continue …)

http://sexywitch.wordpress.com/2006/09/15/burns-tam-oshanter/

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