Tag Archives: Hans Bayens

Lady of the Rhine, Sect 2: Chapter 15, Part B (4/9) – The New Amsterdam Free Tour, pt. 2 – Begijnhof, Amsterdam Miracle, Dutch Courtyards & Paintings, Multatuli, The Bird

Part B

Entering the Begijnhof

Thursday, 9 April 2009
Amsterdam, The Netherlands

Sir Thomas Leaf was inspired by the healing energies of the plaza that was mythologically known for its healing and the bread that doesn’t burn. From the crazy wild partying city of Amsterdam – a walk through a door to another dimension – into a Dutch square where it was sacred, quiet, and tranquil. Intriguing thoughts about the key swarmed Leaf’s mind. He realized he is closer yet to discovering the ‘key of life’. After the tranquility, Kevin led the band to oogle over the Dutch masterpiece painting and learning about the seals and marks of Amsterdam. The tour ended at Anne Frank’s house where the story of “tolerant” Amsterdam stood up against the Nazis and the tragedies befell that struggle. Hungry for Thai food, Sir Thomas Leaf and Princess Brea headed over to the Asian District to try out the highly recommended “Bird Thai” restaurant which they quite enjoyed. Wandering back to the hostel for a nap and down time before exploring the nightlife with the New Amsterdam Tour’s Pub Crawl.

Read my telling and review about the Amsterdam Miracle and the Begijnhof / Chapel here …

Continue reading Lady of the Rhine, Sect 2: Chapter 15, Part B (4/9) – The New Amsterdam Free Tour, pt. 2 – Begijnhof, Amsterdam Miracle, Dutch Courtyards & Paintings, Multatuli, The Bird


Multatuli Statue (Amsterdam, The Netherlands)

Multatuli Statue

Amsterdam, Holland

The Multatuli statue was an inspirational work of contemporary Dutch artist Hans Bayens (b. 1924) as a tribute to Eduard Douwens Dekker. Eduard Douwes Dekker (1820-1887) who was a strong critic of Dutch imperialism and a popular Dutch satirist of the 19th century. He revelled and was famous for his skewering of the middle classes in their classism and racism. Dekker was actually born in Amsterdam as his father was a ship’s captain. His father intended for Dekker to follow in his footsteps but trade disgusted Dekker and in 1838 he became a civil servant in Java and eventually became the assistant-resident at Ambon. In 1857 he was transferred to the Bantam residency of Java in Lebak gaining all the secrets of the Dutch administration in his career progressions. He really hated the abuses of the colonial system and was threatened with dismissal from his office for his verbal protests. Upon his resignation and return to the Netherlands, he became much more vocal about his indignation and desire to expose all of the scandals he witnessed. He did so by the sword of the pen in newspaper articles and pamphlets, and finally in 1860 with his novel “Max Havelaar” under the pseudonym of “Multatuli”. This name was derived from Latin and means “I have suffered (or witnessed) much”. He exposed the abuse of free labour in the Dutch Indies and caused quite a controversy. He went on to publish Love Letters in 1861 which were mordant unsparing satires. After Dekker left the Netherlands to live in Wiesbaden, he became interested in theater. He wrote the School for Princes (1875 in the fourth volume of Ideas) which expressed his non-conformist views on politics, society and religion. He eventually moved his residence to Nieder Ingelheim, on the Rhine, where he died in 1887. By 2002 the Society for Dutch Literature proclaimed Multatuli the most important Dutch writer of all time.